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white Lilly, Kodak tri-x 400; darkroom print; fine art print
So, again I went into darkroom to make new prints from my darkroom.As you know, after lessons at Adrian’s workshop I’ve learned a lot of new useful ‘tricks’ which helps with obtaining good results. Of course, most important is rather this what is on the picture and not the print itself but I think I have this what’s interesting to me so I’m in good place! It is hard to scan on home scanner prints with good enough quality to show you how those look like in reality but even though, if you’re slightly more experienced than new-comer into darkroom world, you’ll catch what I’m talking about. I have definitely improved my skills I think.   Some of my new prints I’m trying to ‘modify’ by burning particular areas to obtain specific effect. Not always it is easy and I can’t say I’ve managed to obtain this what I needed. In this occasion I tried to simulate that old boat/ship is emerging from the DARKNESS, but this what I’m getting isn’t quite this what I need. See below….   I like the colour of Ilford Galerie paper and its contrast. I have learned from Adrian that having good quality water, […]
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Focomat IIc and De Vere 705 enalrger, darkroom printing
How to print in a darkroom This I’ll learn from my friend Roy, who is a darkroom printer from London. Working with Roy, I can learn tons of things which I wouldn’t be able to learn from books, conversations with other amateurs, internet articles or blogs. This is amazing to me and also it is great addition to our friendship! We’ll be working together on materials which I hope we will be able to produce to the highest level. Where sparkling highlights will be signing and shadows will be warm and full of details. Last Saturday we’ve been printing for our first client – Janie who brought her old and never printed negative film. This film has been sitting in a drawer for around 50 years. On that day it has been for the first time, put into Roy’s De Vere 705s enlarger. As a matter of learning we’ve been learning how to properly get good contrast keeping details in shadows and clean fully detailed highlights. Roy showed me how to properly dodge the print. I think I need to exercise on this as my dodging is really poor… I’ve never been good on that so I always wanted to avoid […]
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